January 11, 2011 by dueantaesf
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All the design features are important in making these in-ear speakers a purchase that may be expensive, but will likely be the last set of in-ear buds you buy. An unprecedented one-time Lifetime Guarantee, where Monster Cable will replace the Headphones even if you break them—demonstrates the company's commitment to customer satisfaction...and its confidence in the durability of its product. With the dispensability of cheaper in-ear buds, it doesn't take a lot of math for the iPod generation to realize that Monster beats dre, over time, they may well end up spending at least as much as the Miles Davis Tribute In-Ear Headphones...and for buds that sound far inferior and are nowhere near as comfortable
With 2009 the 50th anniversary of legendary jazz trumpeter Miles Davis' biggest selling and highly influential Kind of Blue (Columbia/Legacy, 1959), it's no surprise that folks are coming out of the woodwork to capitalize on this significant milestone. Collector's, Legacy and vinyl editions of the album have all been released by Columbia/Legacy, not to mention tributes ranging from drummer Jimmy Cobb (the only surviving participant on the original date) and his touring So What tribute band to Reggae Interpretations of Kind of Blue (Secret Stash, 2009) and Kind of Blue Revisited: The Miles Davis Songbook (HighNote, 2009). It's not exactly exploitation, but it sure is capitalization.
Monster Cable may be targeting the Headphones for a jazz audience, but like its target demographic, these 'phones are also comfortable outside the jazz purview. The mellotron intro to Genesis' "Watcher of the Skies," from Foxtrot (Charisma, 1973), is as dramatic as ever; Robert Fripp and Adrian Belew's interlocking, Gamelan-informed guitars on the title track to Discipline (DGM Live, 1981) full and hypnotic—and their Nuevo metal playing on The Power to Believe (DGM Live, 2003) dense and crunching; John Martyn's heart-wrenching "Hurt in Your Heart, from Grace and Danger ( Island, 1980), is paradoxically atmospheric and powerful; and Lyle Lovett's rootsy title track to Natural Forces (Lost Highway, 2009) is filled with hidden detail and in-the-pocket punch.
The Headphones (Monster Cable tends to prefer the term "In-Ear Speakers"), along with all the other accoutrement that are really nothing more than fancy window dressing beats by Dre, come with a wide range of tips for ears of all sizes, but after testing many of them out, the winner has to be Monster Cable's trademarked Super Tips. While the premise isn't exactly new, the design, which makes these tips largely maintenance- and replacement-free, sure is. A foam-based tip with a silicone coating molds itself to the shape of your ear after insertion, creating a firm fit and significant noise isolation, perfect for airline travel or just plain focusing on nothing but the music. The cable is beats headphones, not surprisingly—coming, as it does, from the leader in speaker cable—durable, flexible, tangle-free and clearly not prone to hardening up over time as cheaper cables do; again, aimed at lasting for the long haul. The gold stereo minijack is attached with a right angle connector, so it lines up flush with your iPod, is ideal for airline use, and is so durably constructed that it can handle the wear and tear unavoidable with MP3 players. A cable clip attaches the cable to your shirt monster pro headphones, helping to reduce stress further, and a cable slide reduces pull on the buds themselves, in addition to making them easier to wrap and store. Two small velcro straps make it possible to neatly store the 'phones away when not in use, and it's the trumpet case-shaped holder that's also the winner for storing the 'phones away in a clean, organized fashion.
The Miles Davis Tribute In-Ear Headphones aren't cheap, but with as good a design as you'll find for comfort, durability and sound—and with Monster Cable's outstanding warranty—they could well be the last in-ear 'phones you'll ever need. Like the artist for whom they're named, they're eminently versatile and, while largely aimed at a specific audience, possess plenty of cross-over appeal. Miles may be gone, but if he were alive today and walking the streets of New York with an iPod in his pocket, there's little doubt he'd be wearing a set of Miles Davis Tribute In-Ear Headphones.
So, superior accoutrement, design, durability, comfort and warranty aside, how do the Miles Davis Tribute In-Ear Headphones sound? In a word: outstanding. They may be designed with jazz in mind, and with Kind of Blue's particularly clean, crisp and robust sound, you need go no further than to load the included Legacy Edition onto your iPod (at a reasonable compression rate, of course; taking it down to 128Kbps and you may as well fuggedaboutit) and hit "play." It's hard to believe, with a set of in-ear 'phones, that Cobb's cymbals can sound this crisp and clear; that Paul Chambers' bass can resonate so viscerally that you feel it in your stomach; or that Davis' mid-range trumpet can sound so rich and liquid. But they do.
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